Artist Recommendation – Brandyn Kaine

Brandyn-KaineWhen hearing Brandyn Kaine’s music for the first time, I found myself almost immediately comparing his sound to twenty one pilots. The singer/songwriter/rapper/producer/entrepreneur/super-artist is able to create a variety of different designs to music and write relevant and complex verses without needing to be a duo. His singing skills are even almost caught up with his Hip-Hop expertise.

While residing in Nashville, Tennessee, Kaine finds the chance to work on his upcoming debut album Nashville after a number of mixtapes while being CEO of his own music collective, Varce City. Despite only being a few months older than me, this dude makes my success look like a kindergarten drawing with crayon marks outside the lines compared to his Mona Lisa. I have not even written about how impressive his own solo music is yet.

Among Kaine’s discography are Carpe Diem, his first collection of music, which released on September 5, 2014. This was followed up with his EP Trade, capping off the year 2014 with an end-of-the-year release. Despite being a producer himself, Brandyn Kaine has worked with plenty of experienced producers to make hits such as “Terrible” with iNControl, “Struggle” with Malik On The Beat (No, not Zayn), “Gone” featuring a verse by RyM and produced by JAYSILL, and more hits. Of these, my favorite has to be “Gone” and I recommend that song the most.

Overall, I would rate Brandyn Kaine’s music at:


Brandyn is still only 18 years old, so his voice may still be developing. Another key factor is that this artist has only just begun within the last year and made major strides in the music industry. His voice is edited just right in each song and this gives him the ability to do anything with his voice, despite a higher tone from his pure vocals (Then again, that never stopped a younger Eminem, did it?). Production is always professional and his features are not overbearing but can make some of his songs even better. Brandyn Kaine’s new album Nashville will drop on March 23, so save the date.

You can get more from Brandyn Kaine through his official website here. I recommend at least checking out my favorite songs listed above in the link below, as well as giving his Trade and Carpe Diem tapes listens:

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Music Recommendation – Multiple – twenty one pilots, “Ode To Sleep”; “Screen”; “Trees”

twenty-one-pilotsI have a close friend going through a tough break-up, and between her love for twenty one pilots, my love for twenty one pilots, and the incredibly complex and interesting sound that is twenty one pilots, I felt as though this would be a good day to cite my three favorite songs by 21P, as I refer them. I understand when people find it hard to enjoy twenty one pilots’ music and sound, but something about its nature and how unique its sound is makes these songs notable.

So let’s go through each of these songs and break them down:

1. “Ode To Sleep” – This was one of my first 21P songs, and when it began, I expected something Metal-based. The instrumental begins so superbly, but the introducing verse is a bit disappointing. The Hip-Hop-like sound of the beginning slows it down a bit, then at about the one-minute mark, everything picks up until at 1:20 the whole song comes together into what it should be. The chorus is complex and long but just feels perfect. The second stanza is more like the first, but capitalizes on the pace set from the previous hook. After a minute, the song comes together and stands out as unique and intriguing.


2. “Screen” – While Ode To Sleep is my favorite by twenty one pilots, Screen is a close second and takes the mistakes of Ode To Sleep and crushes them like a walnut under the shoe of a misfit teenager trying to get aggression out. The instrumental progresses throughout the song to become bigger and louder and the vocals have their signature tune but appear at a higher key. Hell, even the verse and its flow are great, despite what the performer says. While I believe this song is better, it is not as entertaining and bizarre as Ode To Sleep. Regardless, it will get a higher rating for its design and style while fixing Ode To Sleep‘s errors. Only disappointing part is the bridge and its repetitive lyrics, though it is not necessarily bad.


“Trees” – Trees has a bit more of a tone of morality and love, and feels genuine. The instrumentals and production continue to impress, and it picks up quickly by transitioning into a bit more of a Pop-y feel. The song is similar to Screen while having a sense of easier lyrics to pick up and retaining its own uniqueness. Of any twenty one pilots song, this feels the easiest to show a friend without worrying about them being offended by showing them a song so outlandish and unlike much modern music. Solid song with mostly-decent execution, style and form, though the whole work cannot seem to commit to a particular sound.


So that averages out to about 8.75/10, though that hardly matters. That there is just a general artist rating, mainly due to the complexity and varying sound of twenty one pilots’ music that is worth noting. It is a bit difficult to enjoy many songs by 21P for each’s uniqueness and individuality, and their vocals are hardly natural often. It seems just as many listeners find the music disappointing to listen to as those who find it pleasurable.

Regardless, check out the songs listed and reviewed above and find some more if you like those.

-Austin Heath

P.S. I hope you are doing better Louise, keep your chin up and enjoy some 21P for me.