Album Review – Set It Off, “Duality”

set-it-offI fear it has been too long since I posted here. Obviously, I will need something quite enticing to gain back my audience. To those loyal viewers who stayed in my absence, you sure are in for a treat.

Meet Set It Off, a Tampa, Florida-based rock/punk group who have been making music for about 7 years now. The band is known for frequenting Vans Warped Tour, even this year when I am extremely underwhelmed by the lineup otherwise. Originally, this article was going to be an “Artist Recommendation” page. That was, until I realized I could not pick a few individual songs I liked above the rest and that this would be my new favorite band. Every song is unique, and while Set It Off have a track record of good music, Duality is their greatest feat yet.

So what makes this album so incredible, that I waited this long to share it? Well, the only way I can explain that is if I break it down track-by-track:

1. “The Haunting” – Even though “The Haunting” was not the first impression that I was given of the band, it definitely helped me decide on whether or not I would dive into this album. While cruising about 35,000 feet in the air, my overpriced and crappy plane wifi allowed me the signal to get through one song on this album: This one. After being impressed by the introduction, and recognizing a couple of other good songs, I decided I would save this LP for later listening. I am sure glad I did, as “The Haunting” has the angry, passionate tone that plenty of the album has to offer, which appealed to me. It is a great example of what to expect, though each song is given its unique style to set it apart.


2. “N.M.E.” – When I heard the first thirty-or-so seconds of this song, I began to reminisce about pre-hiatus Fall Out Boy. Then, at this moment, I realized that I liked this band even more. The production on this song is diverse and I love the many instrumentals that go into making this piece so enjoyable. It has a similar tone to the previous song, but a hook that I find easier to pick up and an even better rhythm to it.


3. “Forever Stuck In Our Youth” – Despite not being able to keep up some of the words, I still find myself blurting out this song all of the time. The pacing is excellent and the lyrics make this an awesome love song. I was a bit bummed out that the bridge is basically just a repetition of the hook, when this band has already proved that they have mastered this section of the song anatomy.


4. “Why Worry” – This was the first solo Set It Off song I heard, and introduced me to the style of the band’s sound. It is one of their more popular singles, with good reason. The rhythm to the song is strangely likable despite being a bit odd, and the tone combines joy and angst in the perfect way. I have a knack for lyrics that address the listener in a way that feels personal, and this song does that quite well. “Why Worry” also features a solid bridge and great transition into the final couplet of choruses.


5. “Ancient History” – “Ancient History” was the second song that introduced me to this band, and ultimately what made me begin to love them. The song has a flavor of pop but has an aura of emotion that makes it interesting. The chorus is short but easy to pick up and enjoy. Then the bridge comes in, and the whole feel of the song shifts. It really is remarkable how well this group can transition back and forth, and this is a prime example of it. Also, that guitar riff before it just makes me smile every time.


6. “Bleak December” – “Bleak December” is exactly what the title suggest: bleak and cold. The band goes back to its angry, bitter post-breakup attitude and acts like it never left. The song gets a bit more explicit, but the lyricism does not suffer from this. You can feel the high levels of “done” that the song portrays with whoever this lady is, and the calmer, more collected bridge affirms this attitude of wiping their hands of her.


7. “Duality” – As we reach the title track, we look back and start to see how much the album has made each song unique and intriguing to hear more. “Duality” only provides another example of that, as the production is some of the album’s best. The hook is long but finds itself stuck in your head with a simple brain-washing “Do-do-do-do-do” repeated a number of times. Of course, it is followed by another excellent bridge that gives the song’s style a bit of a darker feel.


8. “Wolf In Sheep’s Clothing (ft. William Beckett)” – “Ba-Ba Black Sheep, have you any soul?” I wonder if this album is aimed at one girl, or if the band has just been screwed by so many devilish women? Regardless, this song is everything you would expect. More bitter feelings, but it does it with great analogies and an absolutely amazing chorus. The bridge sticks to the song’s original pace but switches up to some lyrics that are, well, not so friendly. I’m surprised this girl is “sleeping easy” after hearing these lyrics, but who doesn’t love a great breakup song about karma and deceitful women?


9. “Tomorrow (ft. Jason Lancaster)” – More Fall Out Boy vibes come forth in “Tomorrow”. I never said I didn’t like it, though. It is refreshing to get some optimism from the band after a couple of less smiley pieces, and while the song is Pop-y, it has a serious taste of Rock and loner-love Punk. Jason Lancaster shows that Set It Off aren’t the only ones who can make a great bridge as well.


10. “Bad Guy” – Something about this song feels a bit generic, but I still do enjoy it. I love the various sounds of the song and the pacing. The sound of “Bad Guy” gives the feeling that the album is coming to a close as it slows things down to close out. Not a whole lot to say about this one though, I enjoy it but compared to its predecessors it just feels a bit slow.


11. “Miss Mysterious” – If so some reason you decide not to listen to the whole album, make sure you go out of your way to listen to this one. The flow of it is elegant, the lyrics are inspiring and the meaning is very reflective. The song closes out the album perfectly, as it is literally a perfect song. The rhythm reminds me of “Drops Of Jupiter” and the meaning strikes comparisons to “What If”. These are both favorites of mine, so it is no wonder that this song is just beautiful to me.


So overall, the album averages out to about:


Duality is one of my favorite, if not the #1, albums I have ever heard. Each song is unique and enjoyable, and the 37 minutes it takes up is perfect for a shorter attention span like mine. I could give this whole album a perfect 10/10, but I know that no band will ever be that perfect. However, Set It Off comes damn close to being that. I honestly cannot wait to hear more from these guys, whether it be through their next album or live.

I highly recommend you listen to the full album, but if unable I would give the songs at 9.5 or over a chance. Stream it in full below and/or purchase it on iTunes here:

Give the album some love on Spotify below:

P.S. – Did you miss me?

Continue reading

Throwback Thursday – Jim Croce, “Time In A Bottle”

Jim-CroceSometimes I regard artists who died young to be a bit overhyped, but my feelings for Jim Croce’s music is the exact opposite. Despite dying incredibly young at only 30 years old from a plane crash, Jim Croce created some beautiful music and his #1 hit “Time In A Bottle” may be the best example of what creative talent this man had to offer.

The ballad is soft (rock) and focuses heavily on the singer’s vocals, with a light acoustic guitar guiding the sound. Its inspiration comes from the discovery of his wife’s pregnancy in 1970, but has always applied to the singer’s death and how fans and lovers of good music felt after his passing. Lyrically, the song is a masterpiece and incredibly reflective. Those sick handlebars guarded the mouth of a talented singer, and Croce finds a way to show off his voice without pushing his vocal chords’ limits.

Overall, I would rate this song at:


I consider this a perfect song, and a piece highly deserving of #1 spot (even if it was only for five weeks). You can hear the song and take a trip down Memory Lane below:

Continue reading

Favorites Friday – Chris Brown ft. Tyga and Kevin McCall, “Deuces”

Remember the days when Chris Brown acted like a deucebag? Well, more than he does now. As horrible as he was for a while, I always have to be the guy who points out at how amazing Brown’s music was around this time. His F.A.M.E. album stole the show, and much of the props have to go to this song’s success.

Can I say that this may be the only song I actually enjoy listening to Tyga rap? Of course, Kevin McCall steals the show, but the whole track is a masterpiece. Chris Brown sets the mood, Tyga opens up a bit, and Kevin McCall finishes it by not giving a single f*ck. The instrumental is spectacular and some of the best production I have ever heard to date, and this song ranks as one of the overall best songs I have ever heard for its genre.

Despite it not making my Top 50 this year, the song ranks in my all-time favorites and could easily break the cusp any year. The lyrics, the tone, everything about “Deuces” makes it a great break-up song. Overall, I would rate it at:


While this may be one of my most opinionated 10/10’s, this song is timeless and has been regarded by many as one of the best. Any RnB and Hip-Hop fan can see why “Deuces” is so critically acclaimed. And now for the quotable part: Anytime one of the artists says the word “Deuces”, I find the reflex to put two fingers in the air immediately.

Now you can check out one of my favorite songs below and enjoy with me:

Continue reading

Music Recommendation – Single – Childish Gambino, “Telegraph Ave”

childish-gambino-suitFor a while, “3005” was my favorite Bino song I had heard. Insert article link here. After not going out of my way to listen to anymore by Childish Gambino, I got a chance to hear “Telegraph Ave” a few days ago, and my opinion changed quicker than a caterpillar into a butterfly. Though to be fair, that is actually a fairly lengthy process. Come up with a better metaphor (simile?) for me in the comments below!

Gambino starts out the song a it different by projecting sounds of starting a car, turning on the radio (Power 106 of course, what rubbish are you listening to?) and playing Lloyd’s “Oakland”. Before you go searching, “Oakland” is not actually a song (yet). Rather, it was audio recorded as the transition piece for this song. So I guess it’s “Telegraph Ave” featuring Lloyd?

Despite the initial confusion of it all, “Telegraph Ave” takes Hip-Hop and spanks it with the RnB paddle. Forgive me if that triggered any flashbacks, I am not responsible for your crappy childhood. The intro has to last less than 45 seconds in fear of making the song after that checkpoint irrelevant. It manages to introduce the concept of the song with a relatable scenario, and keeps listeners paying attention until it transitions into the real deal and an iconic start to the awesome music.

Drake comparisons keep swarming my mind to interpret into writing, but I will hold back. Childish Gambino sounds more like – I got nothing, this is the closest thing to Drake besides Aubrey Graham. I hate to admit it, but Donald Glover takes the Drake Hip-Hop-to-RnB-then-back-to-Hip-Hop thing and gets it right. Childish Gambino has done that pretty well since “Heartbeat” though. His rap verse is flawless, and the vocals are tuned just right as genuine lyrics come out of his words. The beat is complex and different as it features echos and compliments the vocals perfectly.

Speaking of the word perfect, overall I would rate the song at:


I am giving this song a perfect 10/10, and here’s why: You cannot name a Hip-Hop or RnB fan that would find this song lacking in talent. Whether or not it is your cup of tea is your business, but the clearcut genius lyrically and in the song’s design and timing is apparent. This might be opinionated, but I have no problem sharing this song with anyone, and am proud to call it a favorite to anyone; Whether or not they enjoy it, however, is out of my control.

I must say my biggest negative related to the song is the fact that I did not listen to the full album and had to find the song in my suggestions before actually giving it a listen. Now I feel obligated to listen to Because The Internet knowing it could hold any other track like this one. You get the picture, I highly recommend listening to this song no matter what genre you fancy.

Go ahead and stream the song below:

Continue reading

Throwback Thursday – Elton John, Your Song

elton-johnI was not sure if I should use Your Song as a “Throwback Thursday” or a “Favorites Friday” post, but I realized that I want everyone possible to hear this track. I would rather recommend it neutrally than go on a rant saying how epic and incredible it and how I grew up on this masterpiece. In essence, I love this song, and you may have noticed if you saw me Top 50 for 2014 playlist, where this song placed #4.

Elton John has released plenty of classics, and I can recognize that Your Song may not even be his greatest accomplishment; However, the song could come very close to that. This song is perfect for its audience, a slow love ballad that finds the right pace and stays with it. I complain about a stationary pace and movement, but this song’s beauty is in its appealing characteristics despite its slowed-down tone.

1970 feels so long ago, but this song is still one of the best out there. I consider this song perfect, mostly in its gentle simplicity and subtle tone while emphasizing the humanity of the song’s love and its creator. The lyricism is genius and elegant. Therefore, overall I will rate this song a perfect:


This song has brought me chills since first hearing it as an infant on my parents’ wedding CD, and remains an all-time favorite. Saying it is a perfect creation is still staying neutral, for the blind listen could find this track flawless. It woke up like this.

You can take a trip down Memory Lane and listen to the song below:

-Austin Heath

P.S. A solid cover of this song is Ellie Goulding’s remake, which may not feature the perfection of the original, but does convey the beautiful sound of Your Song rather well. Check it out:

Throwback Thursday – Eagles

Eagles_greatest_vol_2Wow, I sure did love The Eagles. Then again, who didn’t? Their music has been ageless, particularly their hit Hotel California. Of course I love that track, but I thought I would rank my top 3 by this group.

Normally I do not set up a Throwback Thursday post with more than one song, but I could not decide which of my favorite three by this Rock group to write about. I decided on posting all three in order of favorites and why, similar to an album review. So let’s break them down track-by-track:

3. I Can’t Tell You Why – This was my first Eagles song, at least that I remember. I have my mother to thank for this one, and it has always been one of those songs I love to hear sometimes for no reason. Always an excellent soft-rock hit. 9.25/10

2. Hotel California – Yes, chock me up in the unoriginal fans of Hotel California, which is an incredible song, might I add. Great lyricism, fast pace and features a healthy balance of sound. But of course you probably knew that, for it is still a classic. 9.75/10

1. New Kid In Town – I consider this the best Eagles song, but that may be due to some bias. I felt a lot of emotional connection to this song a few years back, and it has always stood out for helping me through emotional turmoil. The song is absolutely my favorite and definitely perfection of soft-rock. 10/10

I cannot really average out the sound of this group, but I can recommend a trip back down Memory Lane by hearing some of their old hits. This band is a staple in musical history and has always been one of my favorite Rock groups.

You can check out the songs I listed below:

-Austin Heath

Album Review – Logic, Under Pressure

Whoa, look at me going all mainstream and posting about one of the best-selling albums of the year. How about those who have not had the time to listen to a whole album though, is it worth the buy? On my last album review, I was pretty extensive; but this time, I do not think I will have to break down the album that hard.

“Wait, so you’re saying this will be a brief review?” Hell no, in fact, I have a lot to say about the Maryland-based rapper and his debut album (though not his first release, quite a few mixtapes before this). However I can say with confidence that this review will not have to be too extensive unless I want to get excessive. The album has a similar sound in every song, therefore making each song description short, as I cannot use the same synonyms for every track on Under Pressure.

I consider Logic the child of J. Cole’s rhymes and rap style and Kendrick’s flow after their first honeymoon. It is really hard to say anything bad about his rapping skills, and there is some evident talent. Calling this album of the year is a bit much though, but let’s save it for the track by track breakdown:

1. Intro – The highlight of this album, believe it or not. Samples the album’s sound and features some hard verses by Logic in his introduction. These subjects of the raps though will appear again soon. Reflective start though, really pulled me in. 9.75/10

2. Soul Food – I love the original beat of this song, and the soul-vibe. Of course we should expect that with a name like Soul Food. Right away Logic breaks out, and really drops some of the strongest lines on the album. Definitely one of the more stand-out products of the LP. 9.5/10

3. I’m Gone – A bit similar to Soul Food except this song tells more of a story. This is where Logic begins to really open up, and I like the life breakdown of I’m Gone. The hook is subtle, though repetitive, and it sticks with you. The raps are not as hard and impressive as the previous tracks, but they still show his skill in verse. I also really like the supporting vocals by whoever that woman is. 9.25/10

4. Gang Related – This song is, you guessed it, gang related. I do appreciate the honesty of Logic’s verses, and more of the story-telling I started to like in I’m Gone. This song does what I’m Gone could not and spits strong rhymes while still informing the listener of growing up in the hood. The beat is very original as well, though it almost stands out so much it takes away from taking in the lines of Logic. Regardless, this is one of the best tracks on the album. 9.75/10

5. Buried Alive – This is the first time we actually get a glimpse of the singing voice of Logic. I wish we could get it more, as this is where he reminds me most of J. Cole (who sounded golden on Work Out and Can’t Get Enough). The editing over the verses to emphasize phrases also channels Kendrick Lamar, so this song really appeals to me. Another favorite on the album, though the rap verses is similar to the previous songs (especially Soul Food and Gang Related). Still feels perfect in my eyes, best song on the album to me. 10/10

6. Bounce – Right away I was terrified that this song would have a sexual tone that would throw the album into wack. However the song is true to the album’s focus, the story and upbringing of Logic. Definitely one of the most upbeat tracks on the album, which I definitely like. It does feel like the song gets lost in the chaos towards the end, but catches itself by the end with a smooth ride out. 9.25/10

7. Growing Pains III – More opening up of Logic, but wow I felt like it was forever until we could actually hear Logic start. I don’t mind snippets of conversation, but this just lasted a long time. When it starts, there are some incredible rapping going on. Almost reminds me of Eminem, and the sounds actually add to the song’s atmosphere. However I use my similar sound complaint, with some serious Gang Related material and subject matter applied. Also saddening when there is a lack of hook. 9/10

8. Never Enough – A huge shoutout to production on this track, golden work. The opening hook was not very appealing, however. These were some of my favorite Logic verses and the added-in sampling from the woman singer (I cannot place the song though) along with the nod to Kid Cudi’s Pursuit of Happiness (One of my favorite Cudi songs) were superb. The song really improves and end up becoming one of my favorites after a minute in. 9.5/10

9. Metropolis – More storytelling, which I do not mind. The song does sound like previous works though, and does not seem to attempt at creating a hook. Good story and an enjoyable listen but perhaps my least favorite song on the track, despite quick and hard raps by Logic. The dialogue feels uncalled for as well towards the end of the song. 8.25/10

10. Nikki – Named after his child’s mother is the track Nikki. I do hear a lot of emotion in the words of Logic and is refreshing to see the love from a rapper to who they are with. While the song’s lyricism is incredible, the song itself is not as enjoyable of a listen as some of the preceding tracks. 8.5/10

11. Under Pressure – The song named after the album is usually given the most attention, unless there is a strong collaboration (stay tuned). This track is over nine minutes, and if you’ve liked listening to Logic’s verses in the last few songs, you will enjoy this. More of the same sound and raps it feels, but I have to give him credit for rapping hard for so long. 8.75/10

12. Till The End – Interesting production, though I was not very amused. Logic stays on focus while telling his struggles of entering the music business, which is a heavy story. The hook is also really catchy. Decent song but the beat almost weighs it down. 9/10

13. Driving Ms. Daisy ft. Childish Gambino – Here is one of the most listened to songs on the album, Driving Ms. Daisy. Now that we are beginning the deluxe version songs, we have to keep in mind that these songs cost some extra, so they will have a lot more pressure on them. I liked Gambino’s verse, almost sounding like classic T.I. Logic sounds similar as before, but this is actually one of the best songs on the album for the low-key production and emphasis on rapping. 9.5/10

14. Now – Now featured some heavy production from big names, including 6ix and Arthur McArthur. The hook is hard, and most Hip-Hop fans will immediately like it. These are strong raps by Logic, and seem more original than the others. I found it hard to keep up with this song, and the track overall was very impressive. 9.75/10

15. Alright ft. Big Sean – This song includes some of my favorite lines on the album, especially with his mention of Danny Devito, which gave me a good laugh. Of course Big Sean will help make this the most-listened-to song on Under Pressure, but Big Sean was a bit disappointing. The verse was solid but unfocused, though the whole song feels like that. 9/10

So that averages out to exactly 9.25. It was hard to keep it brief, in fact I could not. However my point of lying in the beginning was the emphasize that the same sound is used often, and if you’ve heard one you’ve heard the next four or five. If it ain’t broke don’t fix it, right? Hopefully Logic has more up his sleeve for his next project, as he will run out of ideas if he uses the same technique over and over again. I would love to hear more singing and vocal-work from him.

In essence, this album is complete Hip-Hop. It channels some of the best rappers and gives Logic the potential for a right future. So go ahead and ignore my rant on the whole thing and give the album a listen below (At the very least, I recommend the songs rated 9.5 or more):

-Austin Heath

Album Review – Dillon Francis, Money Sucks Friends Rule

I have written about Dillon Francis before, namely because he is achieving great success as a (not so much anymore) up-and-coming disc jockey. He is also time-wastingly hilarious. I decided immediately to give his album a review/recommendation after hearing the first few tracks. My biggest compliment towards Francis would be how incredibly balanced the album is. The EDM is evident throughout but several other genres are made compatible with the tracks (including Hip-Hop and even Reggae).

I have plenty to say about the LP, mostly good but I will offer all of my opinions. With that out of the way, let’s break this album down track by track:

1. All That ft. Twista and The Rejectz – Already broke this song down here.

2. Get Low ft. DJ Snake – Turn Down For What guy makes another club-hopping dance-inducing twerk-busting hit. Dillon Francis has shown some serious pride in this song, and it was one of the album’s preceding singles. The lyrics are pretty much the same throughout, being “Get low, low (x279 or so)” then “Get low when the whistle blows” and everything just goes crazy. The hook is definitely the best part though. I actually do like this song a lot, though I would not say the whole album sounds like this, so do not let the Get Low fool you. 9.5/10

3. When We Were Young ft. Suitan + Ned Shephard, The Chain Gang of 1974 – Oh yeah, I can without a doubt say this is my favorite track on the album. If any song was going to go big, this would be it. The lyrics are actually meaningful (unlike many EDM songs sadly) and the vocals are incredibly solid while the bassline and beat are catchy and interesting. I have no complaints about this song, and it reminds me of so many different sounds of multiple artists. It captures several genres, and I doubt I will find a listener who does not like this song. It is quite perfect to my hearing. I have seen a lot of anger with this track for no reason and I have to testify by saying that you’re mad and go sit in the corner. Even if it is meant for radio play or not the usual Dillon Francis, it is one song and an experiment in which he succeeded. Rant over, rating start. 10/10

4.  Set Me Free ft. Martin Garrix – Garrix and Francis seemed to establish a great connection and I would hope to see these two work together again. People have said this song sounds basically like any other Garrix track, and I have to say – well, you’re right. But we still like it, right? I find this a purely vocal-less EDM piece that I can actually enjoy listening to. The hook seems to change direction midway, which feels just a bit off. I wish it had stuck with one aspect instead of going from one type of beat to a completely different. The second stanza is basically silent from the crazy upbeat hook, and the transition is a bit quick at times. I’ve harped enough on stupid stuff, still an awesome song and worth a listen. 8.75/10

5. Drunk All The Time ft. Simon Lord – Well, this honestly did not surprise me. At all. Actually this is really an amazing song. Simon Lord sounds superb, and keeps up with a very complex beat. In fact Francis almost dominates his voice at times, but the bassline and his work is so complete it sounds remarkable. A truly incredible song that gets you hyped, calms you down, that just brings you right back up. 9.75/10

6. Love in the Middle of A Firefight ft. Brendon Urie – Yes, he even brought in Panic! At The Disco. Well not everyone, but he brought Brendon Urie. When I said there was something for everyone on this album, I was not lying. Urie’s voice feels like it’s about to crack at times, which is a bit cough-inducing, but the song is catchy and upbeat. Any punk-pop fan will immediately act like they do not like it because they are non-open-minded little fu – fully opinionated people. The hook is not as exciting as the others but still gives you the Dillon Francis you love (yes you love him now, if you do not stop listening and move on please). 9.5/10

7. Not Butter – “Dillon Francis, we have you cornered. Now, alone, make us art!” Well, I will give him serious points for being original. Not Butter is just not what I was expecting from Francis’ first solo track on the album. There are some enjoyable parts, and even the sexual tension between Siri and “I Can’t Believe It’s Not Butter” is pretty fascinating if not a bit creepy. The hook is disappointing, mostly due to the lead into it that just gets you so pumped. I know this is what people like most about Francis’ music, so I won’t say too much against it. I just feel a bit lukewarm towards it, like a bag of skittles at 8:00 AM on a school day. Is that the taste in my mouth I want from Francis? That came out wrong, let’s just rate the song and move on. 7.75/10

8. I Can’t Take It – I find this song much more interesting, and Francis proves that even when alone, he can make good music. I Can’t Take It is exciting and somehow has some insanely edited/slowed-down/attached to a defibrillator. This time the hook is really innovative and sounds like Dillon Francis without being skip-worthy. Not much else to say, sounds like an EDM junkie’s dream though. 9/10

9. We Are Impossible ft. The Presets – The bass throughout the verses can be annoying as anything, but the hook is incredible and lyrically inspirational. This is another radio bait-type song, but it works on me. I actually feel like without Francis this song would be really amazing too, props to The Presets for making this song great. 9.5/10

10. We Make It Bounce ft. Major Lazer and Stylo G – Basically Get Low 2.0, but there is a bit more of a reggae vibe to it. I’ve passed 1000 words so I won’t say much about it, except this stupid hook has been stuck in my head all day. Bounce, bounce, bounce…Get it out. Francis’ end also provides well on the hook, though I feel like the word “bounce” is mentioned more than the Black Eyed Peas say “Boom Boom Pow” at a middle school dance (Sorry forgot it isn’t 2008 anymore). 9.25/10

11. What’s That Spell? ft. TJR – A thing that annoys me is when artists do not put question marks in song titles that are questions. So thank you Dillon Francis for doing this. Extra points for you. Sadly the song is most likely my least favorite on the album, and while the hook really does well (though it sounds similar to a few of the others, namely Not Butter) it is just not enjoyable to listen to. It’s basically living out a concert, which can be fine and dandy for most, but to me the track did not live up to the hype the other songs set. At least the bassline is pretty catchy. Bum bum bum, bum bum bum (x245). 7.5/10

12. Hurricane ft. Lily Elise – And we are back to amazing songs again. This resembles Benny Benassi a lot, I almost starting singing Beautiful People, but oh well. It still is its own song, and the sound seriously sounds like Zedd’s Stay The Night. Francis is good at being original while learning from hits. There is hard to argue against this song other than its lack of originality a bit, which it actually is as the song progresses. Another one of my favorites on the album for sure, and an awesome way to end the LP. 9.75/10

So that averages out to somewhere around 9.25/10. Sadly a couple of songs really anchor this album’s score down, but Dillon Francis has truly made some incredible music here. His collaborations are really great, but I do feel like his own works alone could use a little work. There will be improvement in new sound and originality over time, as Francis is young and only just hitting success. I cannot wait to hear more and seriously recommend listening to at least anything with a 9 or above. Or better yet, stream the whole thing below:

-Austin Heath

Music Recommendation – Single – Goapele, Strong As Glass

Strong As Glass is another beautiful melody by the incredibly talented Goapele, based out of Oakland, CA. The artist definitely knows how to mix up her sound, but Strong As Glass keeps to the smooth RnB/Soul vibe that I love.

The tempo increases throughout the song, especially on the chorus. The lyrics are empowering and the emotion is evident in the track, with the beat supporting the feel of the music. Goapele’s voice is practically flawless, and incomparable. This track tickles my fancy more than someone actually tickling whatever part of me my “fancy” is (

Overall, I would rate the song at 10/10. It truly is the perfect Soul song, and I absolutely recommend a listen to the incredible piece below:

-Austin Heath

Throwback Thursday – Chicago, Saturday In The Park

Saturday In The Park is one of those songs that I’ve listened to for about all of my life. I have had these lyrics memorized since I was a toddler, and if anyone mentions the words “Saturday” or “park” you can guarantee this song starts blurting out of me right away. And I don’t even stop, I just carry on for the next four minutes until the song is over. The only thing missing are a bunch of brass instruments playing behind me.

So about the song itself, it is good. Well, that was easy enough. Overall, I would give it a 10/10. Yeah, it’s perfect to me. Then again, that could be my nostalgia talking. It is one of my favorites all-time as it has had a serious influence on my life since I was young, so I am allowed to be a little biased.

So go take a drive back to Nostalgia Avenue and make a right onto Memory Lane by giving this song a listen below:

-Austin Heath